A Pale Blue Dot*

These days, two major themes dominate the news: violence and climate change. There is endless news about wars, bomb explosions, vehicles mowing down pedestrians, or armed men shooting or randomly stabbing people to death. Every day, too, you can hear news about how huge parts of forests are being cleared, the thinning ice sheets, the rising temperature, or the extinction of a species. Regardless whether you watch the local or international news, you are sure to find at least one story connected to either of these two.

Times like these, I cannot help feeling fearful for the future — if humankind even still has one considering the rate of how people destroy each other and nature in the name of politics, power, and so-called progress. If only people realized that all those are insignificant in the grander scheme of things.

In 1994, Carl Sagan, an American cosmologist and author wrote the book, “Pale Blue Dot: A Vision of the Human Future in Space,”* and in it, he gave a different perspective of Earth, a perspective I wish all people would appreciate.

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That tiny speck suspended in a sunbeam is our home.  Photo taken by Voyager 1 in 1990. (NASA)

“From this distant vantage point, the Earth might not seem of any particular interest. But for us, it’s different. Consider again that dot. That’s here. That’s home. That’s us.

On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives.

The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar,’ every ‘supreme leader,’ every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner.

How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light.

Our planet is a lonely speck in the great enveloping cosmic dark.

In our obscurity – in all this vastness – there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known, so far, to harbor life. There is nowhere else, at least in the near future, to which our species could migrate.

Visit, yes. Settle, not yet. Like it or not, for the moment, the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world.

To me, it underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we’ve ever known.”

All Steps Lead to Q

“I have here a magnet, and anyone can borrow it.  You can place it anywhere, and you will see that what I am saying is true,” said Tina Paterno to a small group of people standing at the entrance of a church.  One man took the magnet and placed it on the church’s heavy door; it stuck.  It was obvious that it would because even without using a magnet, you could easily tell that the door was made of steel.  What was not, however, was the next spot that the man chose.  It was the base of a pillar near the entrance, which looked like it was made of either stone or cement, but the magnet perfectly kissed its surface.  These were not the only parts of the church that were made of steel.  Its pillars, which looked like marble and stone, were also made of steel, as well as all of its walls, ceilings, window frames, pulpit, and of course, its roof and spires.  This church, as you can tell, is not an ordinary church.  The Basilica Menor de San Sebastian, in fact, is the only all-steel building in the Philippines and the only pre-fabricated steel church in the world.  This unique Gothic architectural masterpiece, which was celebrating its 125th year, was the highlight of the first ever Q Festival and the main reason why I decided to join the event on its last day.

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The Q Festival was a nine-day event held last August 12 – 20, 2016.  The “Q” in the festival’s name stood for Quiapo, an area in the City of Manila, known for its numerous thrift stores; the Quiapo Church, which  is the home of the Feast of the Black Nazarene; fortune tellers; and vendors who sell herbal concoctions, amulets, and potions – quite ironically – just outside of Quiapo Church.  Unfortunately, Quiapo does not exactly have the most pleasant reputation.  It is messy, harsh, and crowded – an image, which Q Festival would like to change by giving people the opportunity to explore its streets and historical sites, and realize that there was more to Quiapo than just a popular church, chaos, and snatchers.

There were many activities lined up for the Q Festival such as food fairs, a sports tournament, exhibits, and concerts, but it was the walking tour that got me interested the most.  Months before the festival, I had the opportunity to visit San Sebastian for the first time and get to know it a bit when I did an impromptu DIY Visita Iglesia in Manila.  Tina Paterno, Executive Technical Director of  San Sebastian Basilica Conservation and Development Foundation, Inc.  (SSBCDFI) was actually there, too.  She was one of the people who gave a 30-minute talk about the historical background of and the conservation efforts being done on San Sebastian.  The church fascinated me so much that when I found out from an online advertisement that it was going to be included in Q Festival’s Walking Tours, I did not hesitate to sign up.

My journey to re-discovering Quiapo started at the Far Eastern University (FEU), where the student tour guides were from.  I must admit that I did not think that FEU had much to offer.  From the entrance, it looked small, and I thought its beige edifices did not hide much history or art.  Obviously, I was mistaken.

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The theme of FEU’s buildings are dominated by Art Deco, and many were designed by Architect Pablo S. Antonio Sr.  A lot of geometric shapes and lines and mirror imaging were apparent in the design.  Art works such as those done by Vicente Manansala and national artist Botong Francisco were also present in the university.

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Aside from the ones listed in the itinerary, there were also a handful of heritage houses and buildings that my group and I passed by.  One of them was the building of Gota de Leche, a foundation that was founded by Trinidad Rizal, sister of Dr. Jose Rizal, and Concepcion Felix in 1906.  Its primary goal back then was to help lower down the mortality rate of Filipino children by providing milk and nutrition programs to mothers.  More than a hundred years later, it continues to provide nourishment and assistance to less fortunate Filipino mothers and children.  Other heritage buildings that we saw in passing were the Paterno House and the Manuel L Quezon University.

The next part of the itinerary brought me to Casa Consulado, also known as Iturralde Mansion.  From the outside, you wouldn’t have any clue that this was once the house of the honorary consul of Monaco in the country (1950s – 1960s).  Like many of the heritage houses around in Manila, it, too, looked forlorn.   Some of its parts were warped or hanging loose.  Its paint looked like it had been scrubbed off, and some of its metal work had been damaged by rust.  Once inside though, the group and I were greeted with warmth by some people who were busy preparing something.  We were told that on that night there was going to be a chocolate tasting event.  We were encouraged to look around, which we happily did.

It was obvious that the house was in need dire of repair.  The wooden floor squeaked and felt shaky as I walked.  I made my way upstairs via the staircase, which was made of some solid hardwood.  One of the people I met there, who was also just visiting but lived around the area, mentioned that there were indeed plans of restoring it.  Details, however, were still unclear.

After a quick visit at Casa Consulado, we then made our way to San Sebastian Basilica, which was just a few steps away.  Its mint green color (not its original color, by the way) stood out; a bunch of unsightly cables drawing black lines on its walls.

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As I have mentioned earlier, the San Sebastian Basilica is one-of-a-kind.  It is the product of an international collaboration from start to finish.  Designers, engineers, workers, hailed from Spain, Belgium, France, China, England, and of course, the Philippines.  It has withstood more than 10 earthquakes since its inauguration.  However, because of its old age, some structural challenges are already present.

Since it is made entirely of steel, the main enemy of the structure is rust, which is already apparent even from the outside.  Away from plain view, corrosion has eaten away the insides of some of its columns. (Don’t worry, the damage is not enough to bring the whole structure down.)   Leaks, holes, and falling parts are also on the list of its weaknesses. Despite its problems, San Sebastian is still magnificent.  The level of craftsmanship and detail poured onto it is astounding – from its trompe l’ oeil walls and the paintings on them, to its stained glass windows, and vaulted ceilings.  And in order to preserve this beauty, San Sebastian once again would be using an international team of experts coming from diverse fields to address them.  San Sebastian Basilica Conservation and Development Foundation, Inc. is the organization leading the way to the church’s comprehensive decade-long restoration program.

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Unlike during my first visit, I was able to gain access to other parts of the Church like in the choir loft and the belfry, where I, on my way there using this narrow and shaky spiral staircase, saw this structure that resembled a part of a ship.  (Trivia: the Conservation team actually consults with ship builders and people who are experts in that field because of the manner and material used in its construction have similarities to building a ship.)

It was an exciting part of the tour, being at the belfry of the Basilica.  I had visited a lot of churches both here in the Philippines and abroad, but it was the first Philippine church for me to be able to reach that section.  From that point, you can see the colorful Manila skyline against the backdrop of gray clouds, giving hints of imminent precipitation.

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We had to say goodbye to San Sebastian Basilica to make way for the Padilla Gallery, an ancestral house built in the 1800s, located somewhere on Hidalgo St.  Surrounding this long white house were a few street vendors, stores, and tricycles.  Once inside, the members of the group were surrounded by numerous art pieces that reflected the vivacity of Philippine culture particularly of Manila and Quiapo.  These are owned and done by artist and real-estate scion, Manny Padilla.

We were entertained by one of his employees who supplied us a brief background of the mansion and the artworks it housed.  This was also the time when we welcomed a break from walking and the sun as we were served some snacks here.

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On our way to the next destination, Bahay Nakpil, we passed by the Tanduay Fire Department.  Here, we were given a brief historical background of the fire station by the firemen themselves and saw Manila Fire Department’s first fire truck, which was no longer in good condition, unfortunately.

The second to the last stop of the tour was Bahay Nakpil-Bautista situated on A. Bautista St.  Built in 1914, Bahay Nakpil-Bautista is a typical bahay-na-bato with details inspired by the 1900s Viennese art movement, Secessionism.  Apart from its architectural value, Bahay Nakpil-Bautista also was the residence of several historical personalities such as Andres Bonifacio’s widow, Gregoria de Jesus, who later on married Julio Nakpil, a musical composer and the Vice-President Supremo of the Katipunan appointed by Bonifacio himself; Francisco Nakpil, member of La Liga Filipina; Dr. Ariston Bautista, a doctor and member of The Propaganda Movement; Juan Nakpil, architect of the Quiapo Church (after the 1929 fire); and Angel Nakpil, architect of the Rizal Park complex.   Nowadays, it is a museum, library, exhibit venue, and community center.

Unfortunately, I was no longer able to join the tour of this house and the one for Quiapo Church since I had another appointment set for that day.  I thought five to six hours was enough to visit all the places, but clearly, it was not.  The reason why the tour took so long was not because the destinations were too distant from each other or that we had long breaks but because there was really no set schedule to begin with, and that for me was the walking tour’s biggest weakness.   There were delays and instances when too much time was spent on particular areas that were not even supposed to be included in the tour.  Although it was an added bonus – visiting places that were not part of the itinerary – the tour did not take into consideration the time of the participants.  I had been on several walking tours abroad before and each one had a fixed schedule and most of them ended on time.  (One was delayed for 30 minutes because there was an unexpected change in train schedules.)  I hope the schedule is one aspect that the organizers improve next time around.

And I do hope that there really is a next time for Q Festival because it has another significant goal apart from showing people the heritage sites and changing people’s perception of the area.  In a chat I had with the Director of FEU’s President’s Committee on Culture, Martin Lopez, he mentioned that walking tours such as this was also meant to engage the residents of Quiapo themselves in heritage conservation.  The organizers wanted to show that they themselves would greatly benefit in such activities, not only because there would be money coming in from the tourists who would visit Quiapo, but also because they will be able to take part in reviving the spirit of Quiapo, which was primarily their home.  They are a part of what makes Quiapo what it is.  If there’s anyone who should cherish it first, it should be the people residing there.  The essence of the place does not merely lie on its historical sites but also on the people who molded its past and will continually shape its future.

As I have mentioned many times before, the City of Manila is steeped in history and beauty, but at first glance, they are not quite obvious.  The city’s social problems can get in the way of people’s perception.  But if you are open, curious, even daring enough, walk its streets and you will find the richness and potential of this old city.

 

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Be a part of the restoration of San Sebastian Basilica!  Visit its Facebook page for more details.

 

Let Them Have Drugs

During a lecture with my Filipino students on how to improve Quezon City:
Me: Kung magkaroon kayo ng posisyon sa gobyerno, anong gagawin niyo para maayos ang lungsod niyo?
Student1 (17 y/o): Babarilin ko yung mga drug addicts para mawala na sila. [sabay nag-muestra na parang may hawak na baril tapos biglang sabi ng “bang! bang! bang!”]
Me: Eh paano kung malaking bahagdan o lahat ng tao sa Quezon City naging addict, papatayin mo silang lahat?
Student 1: Opo! hahaha!
Me: Paano kung tignan mo rin yung ugat mismo ng problema? Bakit ba sila nagiging addict? Anong nagtulak sa kanila para gawin yun? Merong ugnay din ‘yan sa lipunan eh.
Student2 (12 y/o): Ma’am, yung iba kasi walang trabaho kaya gumagamit o nagbebenta na lang sila nun. Yung iba, kulang sa edukasyon [tungkol sa droga].

Discussion went on to rehabilitation facilites and how getting addicts detoxed could be another solution. I then briefly relayed to them the story of a documentary I saw several years ago on National Geographic Channel. It was about this facility called Insite located in Downtown Eastside, in Vancouver, Canada.

Insite is a place for (mostly marginalized) drug addicts where they can satisfy their addiction safely without getting entangled with the law. The facility is not like some dark alley or a run-down building where addicts can shoot up. Rather, the site looks like a decent office space with a nice reception area and well-lit cubicles for its patients. Instead of having a desktop computer, a document tray, or a telephone, however, each cubicle has a huge mirror, which lets the addict see their reflections. Except for the illicit drugs, everything that an addict needs is provided by Insite: needles, tourniquets, tubing, etc. It even has a medical staff to guide the addicts find their veins or prevent them from overdosing. The facility also offers counseling and detox treatments, which its administrators hope would lead their clients to the road of recovery. This public health facility has helped a lot of drug users get off the streets, lower cases of HIV/AIDS and Hepatitis C, and in many cases, get the dependents get unhooked on illicit drugs themselves.

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photo taken from the Insite website

The students were shocked (as I was too when I first watched it) to hear about the existence of such a facility. They were not completely convinced about its effectiveness, but they did consider some of its advantages, and I guess that was a good start: people considering new (and non-violent), albeit controversial solutions to a social problem that affects a lot of countries all over the world.

Here in the Philippines, the biggest agenda of the current administration under Rodrigo Duterte is eliminating the drug menace, which has seen both the surrender of thousands of drug dependents and pushers, and the death of thousands as well, including some who are not in any way connected to the drug world. With the administration hell bent on winning its drug war, I wonder if lawmakers and the Filipino population too, would ever be open enough to give Canada’s radical solution an iota of consideration – not now though because this massive campaign against drugs garners so much public support – but perhaps in the future. Would it be viable to try out such a solution? Or would it only legitimize and even encourage drug use? What do you think?

Wandering in Manila

A short, impromptu DIY Manila walking tour

It was a sunny and windy Friday afternoon.  The chaos of the city was apparent in the cars and public utility vehicles that were choking the roads, the loud voices of street vendors and their customers, the dust and honking of horns that were floating in the air.  Having just been to the Presidential Museum and Library in Malacanang several minutes earlier, I was still filled with the desire to uncover more about history and the city of Manila, where many architectural treasures reside.  I, together with my sister, decided to make a quick DIY walking tour and see what developments were brewing mainly in the vicinity of Calle Escolta.

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📷: spot.ph

Calle de Escolta (or simply Escolta), which in Spanish means “to escort”, is one of the oldest streets in the city of Manila.  It used to be a thriving financial district in the 1800s, but eventually it lost its vibrancy sometime in the 1960s to Makati City.  A number of heritage buildings are present there and in the surrounding areas, but they – like many in the capital – have faded into the bustling madness of 21st century cityscape.  However, thanks largely to several private organizations and some government agencies, Escolta and its other neighboring streets are being revived.  Albeit the process is slow, it gives hope that one day more people would come to prize and preserve these historical areas.

The brief DIY tour started the moment we got off our vehicle.  The first building that greeted us was the Commercial Bank and Trust Building. This hamburger-shaped-slash-UFO-looking structure, now known as the Bank of the Philippine Islands (BPI) Escolta Branch, was designed by Jose Maria Zaragoza.

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Those wires have really got to go.

After taking a look at the Commercial Bank and Trust Building, the streets led us to a few more locations:

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First United Building

First United Building, which was designed by Andres Luna de San Pedro, and Juan F. Nakpil in Art Deco fashion, is currently being used as a commercial building.  The first level of which houses the HUB: Make Lab, a space where people can sell and buy vintage items, handmade crafts, artworks, antique pieces, and many others.

Our impromptu tour also led us far beyond the streets of Escolta, seeing the Manila Central Post Office  and the world’s oldest Chinatown in the Binondo District along the way.

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The majestic MCPO as seen from across the Pasig River

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The city of Manila is a fascinating place: its vivid past, historical edifices, and the culture of the people who call it home make it rich.  On the surface, however, it is hard to appreciate.  With all its endemic problems like the ones linked to traffic, trash disposal, stray animals, pollution, and informal settlers, it’s hard to see its charms.  In fact, just this May, i-Discover City Walks, a travel app, called Manila as “the ugliest city in SEAsia.”  The comment garnered some angry reactions.  Eventually, i-Discover City Walks later on edited the post and apologized for using the word “ugliest,” realizing that it was too harsh a word to describe the capital.

Yes, it is true that the word “ugliest” was too strong, but instead of getting all fired up and exerting all these negativities, this should be accepted as a challenge.  Many who live in the city are fully aware of Manila’s failings to make the city as livable as it should be.  What reactions then do we expect from tourists?

Haay, Maynila, you have so much potential but you lack – more than political will – vision and a sense of history. What do you want your people to be? What identity would you like to carve?

Distinguished architect, Paulo Alcazaren, previously pointed out that many Filipinos desire to go to Europe to see and experience its plazas, historical buildings, and grand architecture not realizing that the same can actually be found here. During the short walk around some parts of Old Manila, I saw places comparable to Amsterdam’s canals, a bridge leading to Chinatown similar to one in Berlin, plazas like those in Praha, and many others. The difference, however, is that those European locations are so much cleaner, more accessible, and are more appreciated. I’m not saying Manila should copy those foreign cities. What I’m trying to say is that the city can be so much greater than what it is now if it seriously wants to.

The city of Manila celebrated its 445th anniversary just several months back. How many centuries more would it take before it truly tackles the many problems that plague both its environment and its people? When will it significantly improve so that it can keep up with modernity while preserving its historicity?

 

 

*Another Manila walking tour (this time a longer and more comprehensive one) happened several months after this one during the Q Festival last August. Details to be posted soon.   

 

Behind Malacañan’s Walls

 

There are quite a number of historical structures scattered in Manila.  Numerous churches, government and commercial buildings, plazas and monuments have been silent witnesses to the events of the past and continue to be such to those that shape the future of this capital city.  All of these sites have their own share of stories, mysteries, and even scandals, but none of them hold as much power as the one that houses the head of state – Malacañan Palace.

Malacañan Palace (or simply Malacañan) has not always been the official residence and workplace of Philippine presidents.  It started out as a private summerhouse in 1750 and was later on occupied by different Spanish and American governors.  It was only in 1935 during President Manuel L. Quezon’s time that Malacañan became the residence of presidents.  Some such as the country’s first female president, Corazon Aquino; Fidel Ramos; Joseph Estrada; Benigno “Noynoy” Aquino III; and current President, Rodrigo Duterte, have opted to stay out of the Main Palace and occupied mansions and guest houses located within the Malacañan Complex instead.

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Kalayaan Hall

Malacañan Palace is not open to the public; however, a part of it is.  The Presidential Museum and Library located in Kalayaan Hall offers its visitors a peek not only into the building’s history but also of that of the nation’s itself.

I had been meaning to pay the Museum a visit for years now as a part of my quest to rediscover Manila.  Unfortunately, due to time constraints and priorities, the plan had always been pushed aside.  My sister said that I, together with my mother, had actually already been inside the main Palace when it was reopened to the public after the EDSA People Power Revolution.  Sadly, I have no memories of it because I was still too young.  This then gave me another reason to have a tour of this historical structure.

My sister and I arrived at the Malacañan Complex on a hot and quiet afternoon.  The place was not exactly what I had imagined it to be:  I had no idea that the Palace was inside a residential district.  All along, I thought it was in an exclusive compound and that it was heavily secured by guarded gates.  Well, it was secured all right as one cannot simply enter without being inspected by security personnel, but it felt like I was merely entering any other subdivision in the metro.  Inside the district, there was the San Miguel Church, some parks and markers (which are in need of some improvements and clean-up) and even some friendly neighborhood sari-sari stores.

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Old Waiting Room

 

When we got to Kalayaan Hall, only a handful of visitors were present.  They were mostly children accompanied by their guardians and a few other individuals as well.

While waiting for the tour to start, we were all asked to stay in the Old Waiting Room, the main reception area for the guests.  I was expecting that it was here that a brief presentation about the Palace’s evolution would take place as part of the tour’s introduction.  Unfortunately, the presentation of the story of the Palace’s beginnings never took place.  What did was the visitors’ (the group with the children) annoying selfie sessions, which would continue until the end of the tour.

Have a peek at some pieces of Malacañan’s past.

 

The Old Waiting Room

There are two of these – one is where the tour visitors are made to wait, and the other is where campaign materials of presidential and vice-presidential candidates are kept – from posters, shirts, flyers to buttons, baller IDs, and even candies.   A music player is present to play the famous and very catchy campaign jingle of Ramon Magsaysay, “Mambo Magsaysay,” which transports guests to the 1950s.   

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The Old Governor’s Office

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The furniture set used by Ferdinand Marcos when he declared Martial Law in 1972 is displayed here, as well as an antique TV, which shows the video of Marcos announcing the imposition of Martial Law, and the replica of PD 1081, among other things. 

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A replica of the pen used to sign the Comprehensive Agreement on the Bangsamoro in 2014

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The Osmena Cabinet Room

 

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Many of the chandeliers there are made of Czech crystal.  Cleaning a chandelier can take up to one and a half months!  It also should be supervised by the Presidential Security Group just to make sure nothing gets broken or stolen.  The Czech crystal chandeliers plus the hard wood heavily used for furniture, flooring, and ceiling certainly give Malacanan an elegant and luxurious feel.

 

 

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Quirino Council of State Room

 

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The Old Vice President’s Office

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The Main Hall, the Northeast amd Southeast Galleries

It served various purposes over the decades: as bedrooms, then into offices, and then as a function hall where dinners and lavish parties during the Marcos era were held.  Now, it houses shelves and shelves of books, busts, attires, and other memorabilia.  An area on the same floor has a dedicated section for Cory Aquino and for her son, now former President Noynoy.

 

 

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A blackboard containing a sketch of Camp Crame and EDSA.  Drawn by Fabian Ver, Chief of the Armed Forces of the Philippines (AFP) during Marcos’ time, this shows the map where the protesters against the dictatorship of Marcos were gathered.  All it took was a go signal from Marcos and AFP probably would have obligingly bombed these areas.  

 

Every corner of Kalayaan Hall is replete with history, details I never learned from textbooks.  Being in the same room and halls where women and men of power once walked in left me with a strange mix of wonder, satisfaction, awe, and disgust.  And this came from visiting just one building in the Malacanang Complex.

Overall, the experience was a pleasant one.  It would have been better though if the tour guide had answered some of my questions relating to the Marcoses instead of evading them.  After all, I was there to learn more about history and his job was to enlighten the guests.  I understand his dodging my question about Duterte, but the previous one I think he should not have. I guess he was just being careful especially these two names were hot issues at that time.

What new stories would Malacañan weave this time for the newly elected Chief Executive?  What secrets would its walls keep?  History will reveal in time.

 

For inquiries and reservations, contact the Presidential Museum and Library through its official website.

 

How I Met the Met

Whenever I visit Manila, I often pass by and see a certain pink Art Deco building standing on P. Burgos Ave. corner Arroceros.  Parts of its façade are covered in graffiti, and litter surrounds it.  In front of the building, traffic is sometimes heavy, and undisciplined vehicles and pedestrians alike contribute to the bleak scene.  For many, this building is just another of those structures forgotten by time in Manila.  Unbeknownst to them, at an era when the number of vehicles had not yet choked the streets of the city and World War II had not transpired yet, the Manila Metropolitan Theater (often referred to as the Met), had a glorious run.  Its purpose was carried out: different shows and theatrical productions were staged – something that is hard to imagine nowadays.

 

Even when I was younger, I often wondered what its history was.  I only knew it by its name and its pink hue (which I later on learned was not even its original color).  I know I watched a play at the Met as part of my field trip during my elementary years, but my memory of it is similar to its paint that is blemished and is now peeling off.

Just like many of the buildings in Manila, the Met has been neglected by the government for several years.  There were a number of restoration projects to revive the grand theater, but they were either temporary or worse, completely unsuccessful.

Last year marked another initiative to resurrect the theater and it started when the National Commission on Culture and the Arts (NCCA) was able to purchase it from its former owner, the Government Security Insurance System (GSIS).  The news of its purchase kindled some hope that the Met would be salvaged from further decay.

(note: Click to enlarge photos and see the captions.)

One of the things you’ll immediately notice is how dark the places is.  This is because the electrical wires have been stolen, so there’s no power running in the whole structure.  It’s creepy, actually.

The NCCA, during the latter part of 2015, called for some volunteers to help them for a series of clean-up drives.  Unfortunately, the first few ones were reserved for Architectural students, preventing me and other numerous ordinary citizens to jump at the opportunity to help out.  When NCCA finally allowed the public to join, I immediately grabbed the chance to register.  I registered early because only about 60 people per drive were allowed.  Getting in was difficult; I registered twice, but twice I was not included either.  Thankfully, my third time proved to be a charm and I was able to join the concluding leg last April 30.  Since it was the last chance for the public to attend the clean-up, the NCCA decided to permit more than what was originally allowed.  I, together with my sister and some of her students from her school, as well as other volunteers from different universities, public and private offices, and even soldiers from the Philippine Air Force and the Military, formed the largest number of volunteers – almost 200!  It was beautiful to see a big gathering of volunteers working together to bring the Met back to its former glory.


The Manila Metropolitan Theater is just one of the numerous heritage buildings around Manila, and most of them, sadly, are not as lucky as the Met. They continue to deteriorate and be robbed of their belongings, and ultimately, their future.  Some are even torn down.

I hope that the government under this new administration will come to its senses and see the great significance and vast potential of these structures; heritage laws must be actually enforced.  They can be reused for new purposes, and the government can give tax incentives to those who decide to keep them and reuse them appropriately.  It must be remembered that these are not mere buildings, but structures that have been part of history of the country and the nation.

I am happy that the NCCA came up with this clean-up drive and it involved the public in the theater’s initial restoration process.  I hope that this spark would turn into a blaze and create a greater interest from the public, allowing them to appreciate history more.  Likewise, I fervently hope that this is the start in helping the government see that many people actually do care and that it should a whole lot, too.

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After the clean up on the 2F.  If we were to clean everything in this room, it would take us days! So, yes, this is already clean… relatively.

proposed plans for the Met. Photo: METamorphosis FB

 

To learn more about the restoration of the Met: head over to the NCCA page or the METamorphosis page, the official place for updates about the Met restoration.

Where Wild Birds Fly

Scholars, state university, activism, premiere education – these are the words that are normally associated with the name of the University of the Philippines (Diliman).  It is a premiere educational institution situated in the heart of Quezon City, an urban jungle that is also well-known for its numerous shopping malls, countless hip restaurants, cafes, bars, and some public parks.  Very few would ever associate both of these places with the Woodpecker, the Black-naped Oriole, or the Lowland White Eye – wild birds that call UP Diliman and Quezon City their homes.

Before April this year, I had never heard the names of these birds nor had I even thought of associating Quezon City with them.  My knowledge of birds was extremely limited, and my awareness of the various birds living and visiting the city was almost close to zero.  Maya (Eurasian Tree Sparrow) and kalapati (dove / pigeon) were the only species of birds I thought present in the city, and the others, whose existence I didn’t have any idea about, could only be found in the rural areas.  How surprised I was when I learned that many wild birds actually take flight in the city’s skyline and build their nests in the quietness of the trees.  Some are even frequent visitors coming from other countries to get away from the coldness of their original habitats.

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I was made aware of all these when I joined a guided birdwatching tour provided by the Wild Bird Club of the Philippines last April.  I saw a poster of the group’s on Facebook inviting everyone to the said event.  It was set at 6:00 am on a Saturday.  And although it was too early for a weekend, and I was not even a bird lover, I decided to join by myself and enrich my knowledge about birds and Quezon City.  It was summer anyway, too, and a nature-related activity was far better than a trip to a mall.

Birdwatching is an activity that observes birds in their natural habitats.  So, a trip to the zoo or an aviary to look at birds and watch their habits cannot be considered as birdwatching.  It can be a mere pastime for others or a mission for some. Whichever is the case, a birdwatcher needs to have the following qualities:

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a Blue Rock Thrush as seen from a spotting scope

Patience – You have to wait for birds to appear.  Sometimes you can see them immediately, resting on a branch or swooping some insects on the ground.  Sometimes, you can only see them flying.  And sometimes you don’t even see them at all.  But when you do finally see them, it can be pretty exciting.

Carefulness and Being Respectful –  As much as possible, avoid contact.  Never shake branches just to make them fly and get a close picture of them.  Don’t mess with their nests or eggs.

Quietness – Noise can agitate or scare off the birds, and as someone who would actually want to see them as close as possible without upsetting them, being silent is the key.  This way, you’ll also get to listen to the way these birds communicate.

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Can you spot where the (sleeping) Philippine Night Jar is?

I did get to see a number of birds like the beautiful and striking Collared Kingfisher (Kasaykasay), the Pied Fantail (Maria Capra), Yellow Vented Bulbul (Kulkul), Black-naped Oriole (Kulyawan), a flock of Egrets (Tagak), Lowland White-eye (Matang-Dulong), just to mention some.  Many of them I was not able to take photos of because they were either flying in the air or hiding in trees.  I only got to see them via a pair of binoculars or through a spotting scope; the others, I was only able to hear.

Although I was primarily there to observe birds, the activity was also a good way for me to get myself familiarized with some of native trees such as the ones below:

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Kapok, a tree that produces cotton-like fibers inside pods

 

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Kapok fiber

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a native tree called Salingbobok, whose flowers are a bit similar to a Cherry Blossom’s

I never knew there were a lot of species of birds in that single area alone.  Having a healthy quantity of trees in the university definitely helped in attracting the birds to inhabit that area.  This is then another excellent reason why green spaces should be increased in our cities.  Increasing green spaces in our suffocating urban jungle would certainly provide homes for the birds and fresher air that many urban-dwellers are deprived of.

I’m glad I joined that birdwatching event because the following morning, I became more conscious of my surroundings; I tried to see whether the ones I saw at UP were also present in my neighborhood.  I also listened to the bird calls more.  Suddenly, the birds didn’t sound all alike anymore.  A statement in front of the Wild Bird Club of the Philippines brochure could not be any truer:

All you need is to know what’s out there to see. 

 

For more information about birdwatching, bird festivals, and conservation programs, visit Birdwatch.ph  or its Facebook page, Birdwatch Philippines.